Reflections on remixing data in the Congruence Engine

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This reflection examines the potential of combining data, stories and histories to explore the links that emerge from crossing data streams.

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Detail of yarn on a spinning machine.

My reflection begins with the metaphor of yarn and the intersections that take place between different threads of data. Looking at the projects that everyone has been working on it has become clear that each intersect in some way with each other through place, personality, theme and technology.

simon66 — 3 years ago

This image was made on a visit to Bradford industrial museum as part of the inaugural Congruence Engine conference 2022.

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A sketch film.

One of the interesting considerations has been about how can tell the stories of the relationships between workers and machines. Paul Craddock has been experimenting with film and sound. Here is a draft of something he is working on.

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Until now, historians and curators have become used to a world where it has only been possible to work with a small selection of the sources – museum objects, archive documents, pictures, films, maps, or publications, for example – potentially relevant to the history they want to explore. We hope to overcome this major constraint on the histories that can be created and shared with the wider public in museums, publications and online.
From The Congruence Engine Test Story by Tarique Naseem

The Congruence Engine project provides us with the opportunity of working in creative ways to tell stories and make links between collections, histories and personal experiences.

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It has been interesting observing how other people have been working on their projects and how stories and enquiries have increasingly overlapped and benefitted from collaborations.

The branching out of historical threads has encouraged us to draw across different sets of resources and think about creative interventions. The sue of moving image and sound have become particularly important.

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The role of 'remixing' has also become a potent way of thinking about how people make sense of stories, data and creative interventions 'in and with' different data.

Much of the experimental approach that has emerged has relied on mixing often discrete elements and making potent connections.

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